REVIEW: VINTAGE VIBES FESTIVAL
We cried, we sang, we danced.
Across two days, punters filled Tomich Wines for a vino-fuelled party with some of Australia’s hottest acts. Despite the autumn Adelaide Hills air feeling extra-chilly, the dance floor could be counted on to heat things up.
Violet Harlot opened the inaugural event clad in high-vis workwear and showing all the confidence of five guys ready to rock their first festival. We Move Like Giants, Kanada The Loop and Adrian Eagle followed the prog-punk-rockers, flying the flag for the local scene.
Then the crowd went into overdrive as West Thebarton hit the stage. The pub-rock seven-piece masterfully worked through their heavy setlist, keeping the audience revved and ready with tracks like ‘Bible Camp’ and ‘Moving Out’. The latter had us shouting “But the west is best!” in time with frontman, Ray Dalfsen.
Punters’ blood continued to pump when Italo-disco heartthrob Donny Benet played, with his short and sweet serenading set confirming that the ’80s-inspired synth king is indeed a smooth operator. Vintage vibes followed as Leo Sayer performed his late ’70s household hits before Babe Rainbow and Hermitude played back-to-back sets. Despite the difference between a psychedelic jam and raving electro hits, punters lapped both acts up.
The Temper Trap then played, and seeing the four-piece live was nothing short of special. Songs like ‘Fader’, ‘Love Lost’ and ‘Sweet Disposition’ have defined a generation of music lovers since the band’s Conditions album dropped in 2009. It was no surprise that the crowd was packed for their set, waiting patiently for the spine-tingling opening of ‘Sweet Disposition’ to start.
Next up was King Gizzard & The Lizard Wizard. Controlled chaos unfolded in the crowd as the acid rockers dipped in and out of their genre-defying back catalogue. Between the drum solos and blistering guitar riffs, a heaving mosh pit and insane stage presence, the band’s legendary status was certified. Then Tash Sultana closed out Day One with an electric set where the pint-sized, looping multi-instrumentalist proved they had more talent in their pinky finger than, perhaps, the entire festival crowd combined.
The next day, hundreds of punters returned to the winery for a sun-soaked Sunday sesh. The locally-focused line-up showcased the depth of Adelaide’s music industry, with Trent Worley, Kotara, Oscar The Wild, Druid Fluids, Jess Day and the Wanderers all performing with slick skill and an infectious energy. Triple J’s 2019 Unearthed High winner, George Alice, then wowed the crowds with her gooey pop beats before the godfather of Australian techno, Late Nite Tuff Guy, kicked the party up a notch.
A saccharine set from San Cisco followed. The band interwove their biggest break-up tracks with alt-indie anthems, leaving a bittersweet love-in energy for Middle Kids’ performance of Triple J hits. ARIA-award-wining sibling duo Angus & Julia Stone then played a set that tugged on heartstrings. Despite having thousands of punters packed in front of the stage, it felt like the pair were singing personally for you.
Gang of Youths held the festival finale, demonstrating why they’ve remained at the pinnacle of Australian indierock for almost a decade. Frontman Dave Le’aupepe’s high-octane, hip-shaking stage presence commanded the audience’s attention as the five-piece smoothly moved through their hour-long set. We cried, we sang, we danced. And when Le’aupepe decided he was bold enough to run through the crowd, we all lost our minds.
Adelaide has long missed the annual trek to the Hills after Groovin' the Moo relocated their Oakbank festivities to the Wayville Showground. Maybe it’s something about the rolling landscape, fresh air and intimate crowd size, but a countryside music event just has a bit of extra magic about it.
Fingers crossed, we’ll be grooving at Vintage Vibes again next year.
Want more behind-the-scenes content? Watch our backstage chats with Gang of Youths, San Cisco, The Temper Trap and more here.
They came, they saw, they conquered. Korn demonstrated why they are still one of the best rock acts to emerge from the early 00s nu metal scene.
With their humour, energy, and ability to connect with fans, they delivered a night that Adelaide won’t forget anytime soon.
A decade on since their last Australian tour, UK indie purveyors Bombay Bicycle Club had everyone grooving along when they hit The Gov over the weekend.
The Amity Affliction celebrated a decade of Let the Ocean Take Me at Adelaide's The Drive and cemented their status as Aussie metalcore royalty.
Tokyo-based all-girl rockers HANABIE. blew everyone away with their chaotic set at The Gov and we were there to catch all the action.
Froth & Furty Fest cemented its position as one of South Australia’s best festivals with another day of incredible music and good vibes.
Hozier is always devoting himself to something greater. And on Friday night, he invited the devotees in attendance to do the same.
Norwegian progressive metal behemoths Leprous put on a show to remember when they performed in Adelaide as part of their Australian tour.
For an hour and a half, political correctness was thrown out the window, and Steel Panther reminded us not to take life too seriously.
Celebrating the 10th anniversary of their acclaimed album Love of Cartography, sleepsmakeswaves put on a show to remember.
Celebrating their 20th anniversary, Parkway Drive proved without a shadow of a doubt that they are one of Australia’s greatest live acts.
If Tim Burton was to create a Shakespearean romantic tragedy film that required a gothic horror metal soundtrack, look no further than Cradle Of Filth.
A coin-toss decided which band would play first in this co-headline tour that brought two of the brightest rock talents to South Australia.
Australia’s emerging hardcore aggressors SPEED decimated the UniBar when they hit Adelaide for a career-defining performance.
Trophy Eyes put on a show that “will be in the memories of many for years to come.”
Celebrating the 20th anniversary of their debut album Page Avenue, Story of the Year turned it one for Adelaide audiences with a gig nobody will forget in a hurry.
Alpha Wolf cemented their status as one of Australia’s best metalcore acts and we were there to catch all the action.
Headlined by Sonic Youth co-founder Kim Gordon, the second night of Unsound Adelaide was quite a ride.
American R&B crooner Teddy Swims delivered a spellbinding performance to an adoring South Australian crowd at his sold out show earlier this week.
Our thoughts on Max Cooper’s technological feat in 3D/AV for Illuminate Adelaide.
Celebrating the 25th anniversary of her debut album, On How Life Is, Macy Gray took fans on a journey through her career, proving she’s one of the most unique vocalists going.
Three decades into their celebrated career, the trio reaffirmed their status as Australia’s greatest live band, still operating at the peak of their boisterous powers.
Fights, cancellations and a 45-minute set. We recap the chaos that was Xzibit’s Adelaide performance.
Our 2625-day wait for this Bring Me The Horizon performance was worth it.
"We’re just Orange Goblin and we do whatever we think sounds good.”
Our thoughts on what went down at A Day On The Green.
Gladys Knight left the Adelaide crowd breathless as she performed all her biggest hits during her final Australian tour.
From the bone-crushing aggression of ‘Mouth For War’ to the haunting beauty of ‘I’m Broken’, each song was delivered with unwavering aggression and passion.
Scottish post-punk rockers melted faces with their intricate wall of sound on a balmy summer evening.
Performing tracks from their classic album Feast of Wine, Calexico dazzled a packed crowd at The Gov.
I’m Alex Edwards - a Squarespace web designer and the owner of Edwards Design. I make it easy for service-based businesses to get modern, user-friendly Squarespace websites that connect with their ideal clients so they can grow.